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| Title |
Nicola
Bettale - New Projects |
| Date |
Permanent
Show |
| Adrress |
on
PhotoArts.com - fine Art Photography |
 |
Exhibition by
Nicola Bettale on PhotoArts.
Established in
1997 PhotoArts is a impressive showcase dedicated to
Fine Art Photography which is based in New York. The site benefits from
an excellent reputation, credibility and it is a top five Google
ranking for "fine art photography".
The exhibition
displayed now on the home page will stay indefinitely on the PhotoArt's
archive.
PRESS RELEASE
Nicola Bettale -
New Projects
curator James
Wintner/PhotoArts
PhotoArts is
pleased to present the latest projects of Nicola Bettale,
a young Italian photographer who brings to his work an exacting
philosophical investigation and an ambitious program for employing
photography to bring to the viewer a renewed understanding of the
culture that surrounds him.
At PhotoArts we
are constantly in search of new and adventurous
approaches to the art and ambitions of photography and Nicola's work
succeeds on both levels.
In his words:
"By sublimating
its own identity, my subject becomes the universal
mouthpiece of a blurred, hinted or just suggested conceit. A conceit
aware that its content is preceded by a consciousness that no definite
interpretation will ever exist. A conceit that leaves the
doors of its
meaning open both inwards and outwards"
As we dissect this
thick serving of ambiguity and arrogance we confront
the desire of an artist to dissolve the mechanisms of ordinary
perception into their most humble parts; then, to re-assemble these
parts into new constructions that dare to present themselves as the
thing itself. But their meaning is elusive and it is our job to
conspire in this act of reconstruction; always at risk of mistaking the
parts for the thing itself, or the new structure as a coherent object
with its own identity.
Of course, it is
none of these things - and all. Our gaze is never
settled or resolved. Color and shape transport us on a journey through
a landscape that the photographer has imagined on our behalf. We are
complicit companions on a voyage that does not have a home port. We are
saturated in abstract beauty that has been confected from the most
ordinary circumstances. The old is new; the new is transformed; our
minds are freed from its conventions and we float through a new
landscape of perception, meaning and emotion.
Power lines, the
moon, plastic bottles. Who knew that such aesthetic
content could be pulled from them. Or, can it? Is that the conceit the
artist announces? Or is it our conceit, the tightly held conviction
that what we see is all that can be known of reality?
Nicola Bettale's
photos challenge the conceits of our habitual way of
seeing with the artist's conceits of a higher order of seeing. I, for
one, was very happy to take that challenge and survive it with my
imagination refreshed and my seeing transformed.
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